BROOKLYN MUSEUM
Artists Jen Catron and Paul Outlaw have transformed ordinary things, a bathroom sink and an ice cream sundae, into spectacularly oversized sculptures. Each structure is a self-circulating fountain: water streams from the faucet of a sink, and chocolate sauce drips onto scoops of ice cream piled high in a shiny metallic bowl. The monumental scale of these works suggests a celebration of a way of life that consumer culture has come to expect, one that includes access to abundant running water and the possibility of indulging in sweet treats. At the same time, the sculptures possess a subtly subversive edge, with hints of a more dystopic version of the American Dream lying beneath the veneer of appearances.
Jen Catron and Paul Outlaw are a Brooklyn-based collaborative team. They are primarily makers of objects, which are sometimes incorporated into performances that are playful and entertaining while making pointed cultural and political commentary.
This installation is organized by Eugenie Tsai, John and Barbara Vogelstein Senior Curator, Contemporary Art, Brooklyn Museum.
Sin(k). 2019.
This continuously circulating sink seems soothing as a fountain, however, on closer inspection will find slightly dirty water. With a nod to Flint water crisis and a crumbling infrastructure, this sink is a testament to the greater cracks of the American Dream.
Bright Shiny Object (B.S.O.). 2019.
With a fountain that continuously pumped “chocolate” atop a slowly spinning sundae, this piece was visually attractive while constantly tricking viewers into thinking it was about to topple over. Precarious in nature, the ice cream offered a hint a subversive, dystopian moment beneath its sugary veneer.